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'Today is our independence day. Udta Punjab is not just a film anymore. It is a movement and one that has ended in the victory of democracy.' The Bombay High Court has cleared the decks for the release of Udta Punjab, whose makers were locked in a dispute with the Central Board of Film Certification, after ordering deleting a urination scene and displaying a revised disclaimer. The court came down heavily on the CBFC and asked it not to act like a 'grandmother', and change with times. A division bench of Justices S C Dharmadhikari and Shalini Phansalkar-Joshi directed the CBFC to certify the drug-themed film within 48 hours to enable the makers to release it on its scheduled date of June 17. "Barring the deletion of the urination scene as directed by the board and modification of the disclaimer, the June 6 order passed by the CBFC's revising committee directing for a total of 13 changes in the movie is quashed and set aside," the court said. The bench, however, refused to stay its order on a plea made by CBFC counsel Advait Sethna to enable the board to appeal against it in the Supreme Court, saying the filmmakers have already spent a lot on the movie and its promotion and distribution. The court, which was hearing a petition filed by Anurag Kashyap's Phantom Films challenging the CBFC order, came down heavily on the board for curbing a creative person's work. "Do not act like a grandmother. Change as per the times now. The CBFC need not be over-sensitive in the matter of art. The CBFC cannot stop creative people abruptly as it may discourage them. This will kill creativity. These days filmmakers are brutal, direct and straightforward. One need not treat them harshly just because of this," the HC said. The court further noted that the CBFC is not empowered by law to censor films, as the word censor is not included in the Cinematograph Act. "Censor in common parlance means to certify a movie. Therefore, if by law the board is empowered to make changes, cuts, or deletions, this power of the CBFC must be consistently in consonance with the provisions of the Constitution and the Supreme Court directions," Justice Dharmadhikari said. As per the revised disclaimer, the Udta Punjab makers will have to delete reference to Pakistan. They will also have to make additions to the disclaimer to the effect that the movie, its characters and the filmmakers do not promote the use of drugs and abusive language, and that the film is only attempting to depict the reality of drug abuse. On cutting out the urination scene, Justice Dharmadhikari said, "The CBFC is justified in directing deletion of the scene as the shot was unnecessary given the backdrop and the theme of the movie. Instead of this particular scene, the filmmaker could have taken recourse to other methods to depict the same." The court noted that it has read the film's script and does not find anything in it that shows Punjab in a bad light or affects the sovereignty, integrity or security of India. "It is undisputed that the CBFC possesses powers to call for cuts, changes, deletions in a movie while certifying it. These powers come into play if the film affects the sovereignty, integrity or security of India, foreign relations, public order, and or is likely to incite commission of an offence. There is a heavy burden on the authority to show that the restrictions imposed are reasonable," the bench observed. In the present case, the CBFC-imposed restrictions were not correct. The movie has to be seen as a whole and it was not permissible to take the characters, scenes and songs in isolation and out of context, the judges said. "It is open for a creative person to select the background, setting and accordingly weave the story. It is entirely on the creative person to choose the setting, pattern, underlying theme and storyline. "Creative freedom allows use of certain words as per the choice of the filmmaker. Nobody can dictate to him as to how the movie should be made or its content," the court said. The bench said it was in agreement with the petitioners that there was an increasing menace of drug abuse amongst the youth in Punjab. "The film is meant for adult viewing. If a maker chooses this way of depicting the movie and a subject, then it is not for anybody to restrict it. Like the CBFC, even we would be happy if better words were coined and used by the filmmaker," the judges said. The court said one must not forget that the movie is a work of fiction. On the board's direction to the movie makers to delete all scenes where expletives have been used, the court said that the dialogues have to be seen wholly and not in isolation. "Such blanket deletion without reference to the theme and subject of the film is bound to interfere with the creative freedom of the petitioner. The petitioners have used such language as they feel that people from that particular strata of society used such language ordinarily," the HC said. The court also noted that with the passage of time, filmmakers will realise that their films will not sell only because of such words. "But this realisation should happen on their own. The vocabulary used in a film, its utility is best left to the audience to decide," the court observed. On deletion of the use of the words, 'Election, MP, MLA, Parliament, Party Worker and Punjab', the court said, "These are general words and the film does not talk about any particular person or party. It is common knowledge that elections are round the corner in several states. Udta Punjab is not made keeping in mind the upcoming elections in Punjab or with any political propaganda." The HC also said there was no justification for deleting a scene from the movie which shows signboard with Punjab, Jalandhar and Amritsar written on it, as directed by the CBFC. "It is surprising that the board wants the signpost scene deleted, but has no issues with the title of the movie having the word Punjab," the court said. The HC, while setting aside the deletion of the scene where a character in the movie is injecting drugs, said, "This is just a fleeting scene and we have already said that the movie is not encouraging or glamorising use of drugs. Similarly, a scene in a song where a person is shown scratching himself is also just a passing shot and need not be removed. It does not show anyone in bad light and is not vulgar or obscene," it said. On deletion of a dialogue 'Zameen banjar te aulad kanjar', the court said, "This dialogue does not necessarily imply that the land of Punjab is infertile and that nothing useful can be found growing in them. It is a known fact that Punjab is a land of hard working and toiling farmers." Senior counsel Ravi Kadam, appearing for the petitioner, had argued that the CBFC's revising committee's order for changes and cuts in the movie was "arbitrary", "unfair", "without proper application of mind" and in violation of the fundamental rights of the filmmakers. He said in the past the board had certified for release several movies with expletives and cuss words. CBFC counsel Advait Sethna, however, opposed this argument and said, "Every movie is independent and hence the same yardstick will not apply." He justified the 13 changes ordered by the board and said the scenes were "vulgar, obscene and deplorable". The Shahid Kapoor, Alia Bhatt, Kareena Kapoor Khan and Diljit Dosanjh starrer, which delves into how the youth in Punjab have succumbed to drugs, had also unleashed political sparring, prompting Anurag Kashyap to ask parties to stay away from the censorship row. Punjab goes to polls next year. Kashyap had earlier hit out at CBFC chief Pahlaj Nihalani, calling him an "oligarch" and a "dictator" and that it was like living in North Korea. He got the support of several filmmakers, including Karan Johar, Mahesh Bhatt, Ram Gopal Varma and Mukesh Bhatt. "It is a dark day for freedom of expression and creativity in the country," Mukesh Bhatt had said, calling Nihalani a "stooge" of the government. The Bombay Velvet director took to Twitter to vent his ire at Censor Board and said there is no sense of freedom. 'I always wondered what it felt like to live in North Korea... Ab to plane pakadney ki bhi zaroorat nahin...,' Kashyap posted on Twitter. The AAP and Congress had earlier accused Punjab's ruling SAD-BJP alliance of exercising its influence to 'censor' the movie, a charge denied by the state government. To this, Kashyap had said, "I request Congress, AAP and other political parties to stay out of my battle. It's my Rights vs the Censorship. I speak only on my behalf." Meanwhile, the makers of the film have hailed the verdict, calling it a 'landmark judgement' and victory for the entire film industry. "The hard work of the lawyers has paid. I am terribly pleased with the verdict. I hope films will be viewed in context and there won't be a blanket on cinema," director Abhishek Chaubey told reporters, outside the high court. "Today I salute the courage of my producer and the hard work that my lawyers have put. Now, the film has been passed and we're going to fight for the release on June 17. I am terribly pleased with the verdict and relieved," he said. Director Sudhir Mishra said, "The verdict is fantastic. It makes me proud. This is great that the court has stood by young filmmaker Abhishek Cahubey who makes interesting and relevant films. The other filmmakers will now think freely." Madhur Bhandarkar told PTI: "It is a landmark judgement. It is a great victory for everyone connected with the movie and the film industry. The honourable court has given a positive judgement. I have always faced problems with the board since Chandni Bar to Calendar Girl, so today it is a victory of filmmakers," he said. Filmmaker Hansal Mehta said, "It's a welcome judgement. The high court has shown the way, but at the same time it's unfortunate that filmmakers have to knock the doors of the courts to get redressal when there is a body independently set up by the government to look into film. With this decision, the CBFC has expired. We should stop blaming individuals for these things. I think Pahlaj Nihalani is reflection of the system." Producer-director Vikram Bhatt said, "Today is our independence day. Udta Punjab is not just a film anymore. It is a movement and one that has ended in the victory of democracy." Noted film producer Mukesh Bhatt told PTI, "As a filmmaker and President of Film & Television Producers Guild of India, I am a very relieved man today. The entire film fraternity was worried thinking what was ahead of us. We thought this was the end of the tunnel. The verdict has re-enforced our faith in judiciary. We don't want a watchdog sitting on top of our heads, cutting the wings of creativity. The board must realise we need to change with times. Today in the age of internet and self-regulation you cannot create archaic laws."
High Court to Censor Board: Do not act like a grandmother
'Today is our independence day. Udta Punjab is not just a film anymore. It is a movement and one that has ended in the victory of democracy.' The Bombay High Court has cleared the decks for the release of Udta Punjab, whose makers were locked in a dispute with the Central Board of Film Certification, after ordering deleting a urination scene and displaying a revised disclaimer. The court came down heavily on the CBFC and asked it not to act like a 'grandmother', and change with times. A division bench of Justices S C Dharmadhikari and Shalini Phansalkar-Joshi directed the CBFC to certify the drug-themed film within 48 hours to enable the makers to release it on its scheduled date of June 17. "Barring the deletion of the urination scene as directed by the board and modification of the disclaimer, the June 6 order passed by the CBFC's revising committee directing for a total of 13 changes in the movie is quashed and set aside," the court said. The bench, however, refused to stay its order on a plea made by CBFC counsel Advait Sethna to enable the board to appeal against it in the Supreme Court, saying the filmmakers have already spent a lot on the movie and its promotion and distribution. The court, which was hearing a petition filed by Anurag Kashyap's Phantom Films challenging the CBFC order, came down heavily on the board for curbing a creative person's work. "Do not act like a grandmother. Change as per the times now. The CBFC need not be over-sensitive in the matter of art. The CBFC cannot stop creative people abruptly as it may discourage them. This will kill creativity. These days filmmakers are brutal, direct and straightforward. One need not treat them harshly just because of this," the HC said. The court further noted that the CBFC is not empowered by law to censor films, as the word censor is not included in the Cinematograph Act. "Censor in common parlance means to certify a movie. Therefore, if by law the board is empowered to make changes, cuts, or deletions, this power of the CBFC must be consistently in consonance with the provisions of the Constitution and the Supreme Court directions," Justice Dharmadhikari said. As per the revised disclaimer, the Udta Punjab makers will have to delete reference to Pakistan. They will also have to make additions to the disclaimer to the effect that the movie, its characters and the filmmakers do not promote the use of drugs and abusive language, and that the film is only attempting to depict the reality of drug abuse. On cutting out the urination scene, Justice Dharmadhikari said, "The CBFC is justified in directing deletion of the scene as the shot was unnecessary given the backdrop and the theme of the movie. Instead of this particular scene, the filmmaker could have taken recourse to other methods to depict the same." The court noted that it has read the film's script and does not find anything in it that shows Punjab in a bad light or affects the sovereignty, integrity or security of India. "It is undisputed that the CBFC possesses powers to call for cuts, changes, deletions in a movie while certifying it. These powers come into play if the film affects the sovereignty, integrity or security of India, foreign relations, public order, and or is likely to incite commission of an offence. There is a heavy burden on the authority to show that the restrictions imposed are reasonable," the bench observed. In the present case, the CBFC-imposed restrictions were not correct. The movie has to be seen as a whole and it was not permissible to take the characters, scenes and songs in isolation and out of context, the judges said. "It is open for a creative person to select the background, setting and accordingly weave the story. It is entirely on the creative person to choose the setting, pattern, underlying theme and storyline. "Creative freedom allows use of certain words as per the choice of the filmmaker. Nobody can dictate to him as to how the movie should be made or its content," the court said. The bench said it was in agreement with the petitioners that there was an increasing menace of drug abuse amongst the youth in Punjab. "The film is meant for adult viewing. If a maker chooses this way of depicting the movie and a subject, then it is not for anybody to restrict it. Like the CBFC, even we would be happy if better words were coined and used by the filmmaker," the judges said. The court said one must not forget that the movie is a work of fiction. On the board's direction to the movie makers to delete all scenes where expletives have been used, the court said that the dialogues have to be seen wholly and not in isolation. "Such blanket deletion without reference to the theme and subject of the film is bound to interfere with the creative freedom of the petitioner. The petitioners have used such language as they feel that people from that particular strata of society used such language ordinarily," the HC said. The court also noted that with the passage of time, filmmakers will realise that their films will not sell only because of such words. "But this realisation should happen on their own. The vocabulary used in a film, its utility is best left to the audience to decide," the court observed. On deletion of the use of the words, 'Election, MP, MLA, Parliament, Party Worker and Punjab', the court said, "These are general words and the film does not talk about any particular person or party. It is common knowledge that elections are round the corner in several states. Udta Punjab is not made keeping in mind the upcoming elections in Punjab or with any political propaganda." The HC also said there was no justification for deleting a scene from the movie which shows signboard with Punjab, Jalandhar and Amritsar written on it, as directed by the CBFC. "It is surprising that the board wants the signpost scene deleted, but has no issues with the title of the movie having the word Punjab," the court said. The HC, while setting aside the deletion of the scene where a character in the movie is injecting drugs, said, "This is just a fleeting scene and we have already said that the movie is not encouraging or glamorising use of drugs. Similarly, a scene in a song where a person is shown scratching himself is also just a passing shot and need not be removed. It does not show anyone in bad light and is not vulgar or obscene," it said. On deletion of a dialogue 'Zameen banjar te aulad kanjar', the court said, "This dialogue does not necessarily imply that the land of Punjab is infertile and that nothing useful can be found growing in them. It is a known fact that Punjab is a land of hard working and toiling farmers." Senior counsel Ravi Kadam, appearing for the petitioner, had argued that the CBFC's revising committee's order for changes and cuts in the movie was "arbitrary", "unfair", "without proper application of mind" and in violation of the fundamental rights of the filmmakers. He said in the past the board had certified for release several movies with expletives and cuss words. CBFC counsel Advait Sethna, however, opposed this argument and said, "Every movie is independent and hence the same yardstick will not apply." He justified the 13 changes ordered by the board and said the scenes were "vulgar, obscene and deplorable". The Shahid Kapoor, Alia Bhatt, Kareena Kapoor Khan and Diljit Dosanjh starrer, which delves into how the youth in Punjab have succumbed to drugs, had also unleashed political sparring, prompting Anurag Kashyap to ask parties to stay away from the censorship row. Punjab goes to polls next year. Kashyap had earlier hit out at CBFC chief Pahlaj Nihalani, calling him an "oligarch" and a "dictator" and that it was like living in North Korea. He got the support of several filmmakers, including Karan Johar, Mahesh Bhatt, Ram Gopal Varma and Mukesh Bhatt. "It is a dark day for freedom of expression and creativity in the country," Mukesh Bhatt had said, calling Nihalani a "stooge" of the government. The Bombay Velvet director took to Twitter to vent his ire at Censor Board and said there is no sense of freedom. 'I always wondered what it felt like to live in North Korea... Ab to plane pakadney ki bhi zaroorat nahin...,' Kashyap posted on Twitter. The AAP and Congress had earlier accused Punjab's ruling SAD-BJP alliance of exercising its influence to 'censor' the movie, a charge denied by the state government. To this, Kashyap had said, "I request Congress, AAP and other political parties to stay out of my battle. It's my Rights vs the Censorship. I speak only on my behalf." Meanwhile, the makers of the film have hailed the verdict, calling it a 'landmark judgement' and victory for the entire film industry. "The hard work of the lawyers has paid. I am terribly pleased with the verdict. I hope films will be viewed in context and there won't be a blanket on cinema," director Abhishek Chaubey told reporters, outside the high court. "Today I salute the courage of my producer and the hard work that my lawyers have put. Now, the film has been passed and we're going to fight for the release on June 17. I am terribly pleased with the verdict and relieved," he said. Director Sudhir Mishra said, "The verdict is fantastic. It makes me proud. This is great that the court has stood by young filmmaker Abhishek Cahubey who makes interesting and relevant films. The other filmmakers will now think freely." Madhur Bhandarkar told PTI: "It is a landmark judgement. It is a great victory for everyone connected with the movie and the film industry. The honourable court has given a positive judgement. I have always faced problems with the board since Chandni Bar to Calendar Girl, so today it is a victory of filmmakers," he said. Filmmaker Hansal Mehta said, "It's a welcome judgement. The high court has shown the way, but at the same time it's unfortunate that filmmakers have to knock the doors of the courts to get redressal when there is a body independently set up by the government to look into film. With this decision, the CBFC has expired. We should stop blaming individuals for these things. I think Pahlaj Nihalani is reflection of the system." Producer-director Vikram Bhatt said, "Today is our independence day. Udta Punjab is not just a film anymore. It is a movement and one that has ended in the victory of democracy." Noted film producer Mukesh Bhatt told PTI, "As a filmmaker and President of Film & Television Producers Guild of India, I am a very relieved man today. The entire film fraternity was worried thinking what was ahead of us. We thought this was the end of the tunnel. The verdict has re-enforced our faith in judiciary. We don't want a watchdog sitting on top of our heads, cutting the wings of creativity. The board must realise we need to change with times. Today in the age of internet and self-regulation you cannot create archaic laws."
Big Pictures forays into Marathi Cinema
Reliance BIG Entertainment, the flagship Media and Entertainment Company of Anil Dhirubhai Ambani Group has ventured into expanding its film production base into the Marathi Film Industry. The first film to come from the docks of the Big Pictures will be 'Samaantar' directed by the veteran actor and film maker Amol Palekar and co-directed by Sandhya Gokhale. The film which is currently under production also has a novelty attached to it. Through 'Samaantar', Amol Palekar makes a comeback to acting after a long break. 'Khamosh' made by Vidhu Vinod Chopra and released in 1996 was the last movie in which the film lovers saw the acting of Amol. The other actors in the film are Sharmila Tagore, Makarand Deshpande, Sameer Dharmadhikari, Kishor Kadam, Aishwarya Narkar and Radhika Apte. Sharmila Tagore says that she was quite apprehensive about speaking Marathi dialogues, but as Amol Palekar made her relaxed and put her at ease while performing, she enjoyed acting each of the scenes. Amol Palekar is a charged up man after his English feature film titled 'Quest' got the national award. 'Samaantar' shot in Pune and Kolkata is his 12th directorial venture. He says that Big Pictures acquiring the movie is a great blessing as it will be promoted and released in a manner which it deserves. He plays the role of an industrialist named Keshav whose frozen past life gets scratched accidentally and Sharmila Tagore plays the role of a potter. The movie which reveals the lost traces of two person's impeccable love will hit the screens in 2009.
Real life drama
Truth becomes stranger than fiction when real life imitates it rather than the other way around. Sonali Kulkarni saw a reality drama even more interesting than her reality show Jhalak Dikkhla Jaa when shooting for cinematographer-turned-director Mazhar Kamran's social satire Mohandas. Sonali plays a television reporter doing an investigative story. The sequence required her to interview Sharbani Mukerji about her plight in a rice field. According to the script, while the interview is on, some people from the town charge towards the reporter and force her to abandon the interview and leave the place. 'We had chosen a particular field for this sequence and had taken due permissions,' says Mazhar. 'However, when we started the shoot, one of the owners of this field suddenly came rushing in and asked us to leave. Very patiently we tried telling him that we had taken prior permission and paid the necessary sum of money. But he started shouting and ordering us to scram. When I offered to pay money, he became abusive. That's how our shoot went and we eventually had to leave too and shoot elsewhere, but I told my reel-life goons to learn from this real incident!' Mohandas also stars Nakul Vaid, Sushant Singh, Sharbani Mukerji, Sameer Dharmadhikari, Akhilendra Mishra and Govind Namdeo and is written by Uday Prakash.
Trouble at Sonali Kulkarni's film shoot
Sonali Kulkarni, while shooting for her film Mohandas, got the taste of reel life in real life. Sonali is playing the role of a TV reporter in the film who goes to coal mines for an investigative story. The scene required her to interview Sharbani Mukherjee about her plight in a rice field. According to the script Sonali was to interview Sharbani and while the interview is on, some people from town charge towards them. They force Sonali to abandon the interview and leave from the place. "As luck would have it, we had chosen one particular field for this shot and taken due permissions. However, when we started the shoot, suddenly one of the owners of this field came rushing in and asked us to leave. I very patiently told him that we had taken prior permission and paid. Still he kept insisting and started shouting and ordering us to scram", informs director Mazhar Kamran. He laughs, "When I offered to pay more money, he just tripped and began abusing also. It was exactly the way we wanted our shoot to be. Eventually we moved over to other spot but not before I told my artiste playing the local goons, to learn from real incident and bring the same velocity in their behavior also." Sonali had found the entire incident extremely amusing. According to her this entire film was full of realistic experiences. Currently she is busy with her realistic experience in 'Jhalak Dikhla Ja'. 'Mohan Das' stars Sonali Kulkarni, Nakul Vaid, Sushant Singh, Sharbani Mukherjee, Sameer Dharmadhikari, Uttam Haldar, Aditya Shrivastav, Akhilendra Mishra and Govind Namdeo. The film deals with problems of common man and treats it with open satire. Screenplay of the film is by Uday Prakash, music is by Vivek Priyadarshan, lyrics by VK Sonakia and Yash Malviya, cinematography by Mazhar Kamran, Editor is Suresh Pai and Art Director is Jayant Deshmukh. VERTIKA FILMS Vertika Films is guided more by the spirit of content than the commerce and they place an emphasis on subjects & stories that are insightful, have roots deep in our society and that illuminate us in some way. Inspiration is taken from works based on good literature and writing. 'Mohandas' is a beginning. Vertika Films will continue its endeavor to bring to the viewer good cinema that is both, entertaining and meaningful.
SATYA cinematographer Mazhar Kamran debuts as director with MOHANDAS
Mazhar Kamran's directorial debut Black comedy 'Mohan Das' starring Sonali Kulkarni, Nakul Vaid, Sushant Singh, Sharbani Mukherjee, Sameer Dharmadhikari, Uttam Haldar, Aditya Shrivastav, Akhilendra Mishra and Govind Namdeo, has moved into premixing and music mixing. Mazhar Kamran, noted cinematographer for successful films like Satya, Kaun, Jhankar Beats and Masti, has turned a director with his forthcoming film Mohandas. This film deals with problems of common man and treats it with open satire. Screenplay of the film is by Uday Prakash, Music is by Vivek Priyadarshan and Lyrics is VK Sonakia and Yash Malviya, Cinematography is by Mazhar Kamran, Editor is Suresh Pai and Art Director is Jayant Deshmukh. VERTIKA FILMS Vertika Films is guided more by the spirit of content than the commerce and they place an emphasis on subjects & stories that are insightful, have roots deep in our society and that illuminates us in some way. Inspiration is taken from works based on good literature and writing. 'Mohandas' is a beginning. Vertika Films promises to continue its endeavor to bring to the viewer good cinema that is both, entertaining and meaningful.