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More news →'Angadi Theru' shooting stopped as the hero got injured
Bad luck came to meet the unit of director Vasantha Balan's new film 'Angadi Theru' when the hero injured himself during the shooting of a fight scene and had to be taken to the hospital. After the commercially and critically acclaimed 'Veyyil' this film is the next one being completed by Vasantha Balan having new comers Mahesh and Anjali in the lead roles. The shooting of the new film produced by Ayngaran International was going on in an old building in Villivakkam. The scene which was being canned was a fight sequence between the hero Mahesh and his friend for which the hero had to look fully soaked in water to give out the impression that he came to the building after getting wet because of a rain and run down the steps. As he was doing it, Mahesh slipped down from the stairs He fell down and got injured. The actor who was bleeding was rushed to a private hospital in Annanagar where four stitches were put up in his head. The shooting was stopped and will start again from May 31. If the movie becomes a blockbuster, then Mahesh can think of the trouble he had to take to complete the movie in a lighter vein and think of the fatal injury he got as just a hurdle which was meant to happen there to make the success of the film more sweeter to him.
Angadi Theru releases today
Ace director Vasanthabalan’s much anticipated flick ‘Angadi Theru’ is is going to hit the screens today. It is the director Vasanthabalan’s magnum opus releasing after four years gap next to his critically acclaimed film ‘Veyil’. The film is being promoted vigourously by Ayngaran International, who is going to present the film in nearly 200 screens across the world and will be releasing in 10 screens across the Chennai city. Director Vasanthabalan says “The film is about people who come from small towns in southern Tamil Nadu to Chennai looking for a job. The film is set in Chennai’s, Ranganathan Street in T Nagar. It is about how everything, including human emotion, is up for sale in the marketplace.” The film features new comer Mahesh in the lead role and Anjali of ‘Kattradhu Thamizh’ fame pairs opposite him. GV Prakash has composed the music for the film.
Jayamohan quits Angadi Theru
Writer Jayamohan has opted out of Vasantha Balan's forthcoming 'Angadi Theru' following the controversy over his remarks on the legendary actors MGR and Sivaji Ganesan. The South Indian Actors' Association recently passed resolutions condemning the writer and 'Ananda Vikatan' magazine that re-published the article. The resolutions demanded apologies from the concerned persons for the 'abusive' remarks on the iconic figures of Tamil cinema. Resolution condemning Jayamohan warned that he would be removed from the films ' 'Angadi Theru' and 'Naan Kadavul' - he is currently working on, if he doesn't apologies. Another resolution warned 'Ananda Vikatan' that the filmy associations in Tamil Nadu would not cooperate for its production 'Siva Manasula Sakthi', which was launched recently. While the magazine has expressed its regrets, the writer has yet to come out with any regrets or apology. Instead, he has opted out from Vasantha Balan's project, in which he has written the dialogues. It is leant from reliable sources that the director has requested him to stay away from his film, which is gearing up for release. The fate of his role in Bala's 'Naan Kadavul', in which he has penned the dialogues, is yet to be known.
Vasantha Balan’s ‘Angadi Theru’ gets its release date!
The well–known filmmaker Vasantha Balan’s (‘Veyyil’ fame) forthcoming flick ‘Angadi Theru’ starring Mahesh and Anjali in the lead roles will hit the theatres on March 26. The unit members are eagerly waiting for the release to cash the film in on the summer season. Recently, the censor board stamped the film with ‘U’ certificate. GV Prakash Kumar has composed the music for the film. The beautiful actress Sneha is playing a guest role. Ayngaran International has produced the film while camera has been handled by Richard Maria Nathan and editing is by Sreekar Prasad.