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Shemaroo has released the recent Hindi film Fight Club on VCDs and DVDs. The film has a fleet of names in the star cast including Suniel Shetty, Sohail Khan, Zayed Khan, Dino Morea, Riteish Deshmukh, Aashish Choudhary, Rahul Dev, Amisha Patel, Yash Tonk, Dia Mirza, Amrita Arora and Neha Dhupia. The DVDs and VCDs have been released 8 weeks after theatrical release. Shemaroo believes that the Home Video will generate interest among people who haven't seen the movie in theater, especially because of the stylish action sequences and big star cast. Bonus features in the DVD includes The Making of the film, which features some star interviews and also the TV promos. The DVD also has sub-titles in English, Tamil and Telugu. Special features in the DVD include Anamorphic Wide screen format presented in 2.35:1 aspect ratio enhanced for 16:9 Wide screen TVs, All Region DVD, Digitally mastered from Original Film, 5.1 Dolby Digital Sound, Interactive menus for easy access and DVD 9. The DVD is priced at Rs. 349/- and VCD at Rs. 149/- Storyline: FIGHT CLUB tells the story of four friends, Vicky [Zayed Khan], Karan [Dino Morea], Somil [Ritiesh Deshmukh] and Diku [Aashish Chowdhry], who, in a constant endeavor to help each other, get entangled in a web of incidents, some romantic, many funny and all that test the extremes of their friendship.
Cat Fight with Kim Sharma
Kim Sharma has had some luck at Box Office with the crude 'Tom Dick and Harry' this year. She is also the cynosure of 'Ladies Tailor' Rajpal Yadav in the movie released by the same name this week. But she is grabbing the headlines for reasons other than her few-n-far-in-between films. While shooting for Men's magazine 'Maxim' she reportedly threw all sorts of tantrums with photographer Vikram Bawa during a photoshoot. The controversial 'Maxim' is known for its revealing heroines and the fabled cleavages. As is well known, Kim doesn't mind giving the audience a dose of peek-a-boo, but it seems Bawa asked for a bit too much. The versions are like this. Bawa says, 'Kim behaved very unprofessionally that day and I had to leave exasperated. She refused to apply baby oil that brings shine to the body. Moreover, she kept on urging me to finish the shoot fast as she had to go somewhere.' Kim on her part alleges that Bawa tried to 'Get fresh' with her. 'I understand what Maxim is all about and don't mind doing my part well. But it seemed he expected me to be topless which wasn't something I was comfortable with,' the actress-with-oomph-image says. The Cat fight continues.
Hrithik taking training to fight with tigers for 'Mohenjo Daro'
Celebrity fitness trainer Satyajit Chaurasia is busy training actor Hrithik Roshan to fight with tigers for Ashutosh Gowarikar's "Mohenjo Daro". "The script of Mohenjo Daro is superb. Hrithik is my friend and he has shared with me the details of the body shots and other sequences while working out. There are combat scenes between him and tigers in the film. So I'm training him to build the right body for these kinds of sequences," Satyajit told in an exclusive interview. Talking about Hrithik's fitness regime, Satyajit said that the actor is "extremely fond of exercising". "For him, it is a stress-buster which gives him a lot of delight. So I try to give him numerous workout drills to keep him happy. He has worked really hard for 'Mohenjo Daro' with a lot of planning and his body is looking perfect in the film," he said. One of the most renowned fitness experts in Bollywood, Satyajit was the brain behind actor Aamir Khan's eight-pack abs in "Ghajini" and has trained several renowned personalities like Rani Mukerji, Kareena Kapoor Khan, Esha Deol among others. Directed by Ashutosh Gowariker, "Mohenjo Daro" is an epic love story set in the Indus Valley civilization. It is being extensively shot in Bhuj.
Fight Master Turns Hero
The fight master of 150 Kannada films Jones is the hero of 'Jee' Kannada film that went on the floors recently. From fighter to fight master today Jones is well educated with double degree. In the last five years he has worked for various action films and done danger stunts. This film has five natural fights and obviously Jones composes all of them. B.S.Manirathna besides doing the story, screenplay and dialogue is also the director. Smt.Ashwini is the producer while D.Srinivas is the co producer. Jones has learnt dance from dance director couple Madan and Harini. Rowdism in raw style you could find in this film 'Jee' says Jones. 'Jee' is a subject on Hindu and Muslim unity. The abandoned Muslim kid grows in the Hindu family and he is given the position of an elder brother in the family. P.S.Nageshkumar is the cameraman. Alex is the music director for this film.
'Sathyam' fight scene in MalaysiaMalaysia has nowadays become a favorite spot for shooting fighting sequences.
Malaysia has nowadays become a favorite spot for shooting fighting sequences. Following Ajith's movie, directed by Raju Sundaram, Vishal's 'Sathyam' too has planned a fight in Malaysia. The unit will go to the country soon to shoot the thrilling fight featuring Vishal. The portions involving Nayantara except the song sequences are over. The movie also marks the comeback of 'Mayuri' fame Sudha Chandran. The classical dancer is donning an important role in the film. Today's generation may not be aware of the uniqueness of the actor, i.e., she dances with an artificial leg.
India fight back against Australia’s huge score in final Test
Ricky Ponting and Michael Clarke both hit masterful double centuries to drive Australia to 604 for seven declared before their bowlers reduced India to 61 for two at the end of second day of the fourth Test on Wednesday. Sachin Tendulkar, who had made 12 not out, and Gautam Gambhir, unbeaten on 30, were at the crease at stumps after the in-form Australian pace attack dismissed stand-in India captain Virender Sehwag and Rahul Dravid. Clarke, who made 210, and his predecessor as Australia captain Ponting, who scored 221, batted through the morning session for a record fourth-wicket stand of 386 at a sweltering Adelaide Oval. They were separated two balls after lunch when Clarke was bowled by Umesh Yadav and three more wickets fell before tea as the Australian batsmen went for their shots on a good batting wicket. Perhaps mindful that England declared on 551-6 at the Adelaide Oval in 2006 and still lost the Test, Clarke waited until the scored passed 600 after seven overs of the final session before calling time on the Australian first innings. Paceman Peter Siddle struck in the first ball of his first over to remove Sehwag caught and bowled for 18 after the opener got the bottom of his bat onto a full toss. Dravid was bowled for the sixth time in seven innings in the series in the next over, deceived by a Ben Hilfenhaus delivery that struck the Indian on his elbow and hit the stumps. Already 3-0 down in the series after three emphatic defeats, India had laboured in the field as Clarke and Ponting ruthlessly, and often stylishly, drove home their advantage. Resuming at 335-3, they passed their own record partnership for Australia against India of 288, which they set in the Sydney test, inside the first hour. The next mark to fall was the all-time record partnership for the Adelaide Oval, which came when they exceeded the 341 that Eddie Barlow and Graeme Pollock shared in 1964. Clarke brought up his second double century of the series after his unbeaten 329 in the Sydney Test just before lunch with two runs through mid-wicket, celebrating with his ritual kiss of the insignia on his helmet. The 30-year-old took 361 minutes and 255 balls to reach the milestone with another imperious display, which included 25 fours and one six. Ponting was not far behind but was forced to wait nervously over the lunch break for his second double century against India at Adelaide after the 242 he hit in a losing cause in 2003-04. The sixth double century of his career finally came courtesy of a trademark pull to midwicket for his 21st four in the 459-minute, 357-ball innings and the celebration left no doubt what it meant to the Tasmanian. Clarke had already departed after being bowled between bat and pad by paceman Umesh Yadav, the first wicket to fall in more than three full sessions. The stand was two runs short of the Australian record for a fourth-wicket partnership set by Donald Bradman and Bill Ponsford when they made 388 at Headingly in 1934. Mike Hussey, who had waited six hours and 20 minutes to bat, made a quickfire 25 from 33 balls before a brilliant Gambhir throw ran him out. Ponting followed soon afterwards when another pull off Zaheer Khan found a leaping Tendulkar on the mid-wicket boundary. Spinner Ravi Ashwin's carrom ball accounted for Peter Siddle (2) to give wicketkeeper Wriddhiman Saha, standing in for banned India captain Mahendra Singh Dhoni, his first test catch. Brad Haddin, who hit a six to open his account, had made 42 not out and shared a 71-run partnership with Ryan Harris (35 not out) when Clarke called them back to the dressing room.