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More news →"It's fun to be part of A RECTANGULAR LOVE STORY" - Gul Panag
Though there is still uncertainty around Gul Panag's real life love story, on reel life she is having a whale of time with as many as three men vying for her attention. While in real life this may be a little hazardous, on screen Gul is enjoying every bit of shooting for A RECTANGULAR LOVE STORY. Smiles Gul, "A RECTANGULAR LOVE STORY is a story about three boys and a girl. The film's shooting started a few months back and we have been making good progress. A PNC production, the film which stars Ranvir Shorey and Purab Kohli in the lead, is directed by Rajat Kapur. Incidentally this is for the first time ever that Rajat Kapoor and Gul Panag are working together. "It's fun to be part of A RECTANGULAR LOVE STORY", exclaims Gul, "Rajat is such a different kind of director to work with. The film is a nice breezy romantic comedy and a unique experience for me." A RECTANGULAR LOVE STORY is the first ever comedy for Gul who has otherwise been slotted as a serious actor, courtesy films like DHOOP and DOR. Though she did have a glamorous persona in JURM and also a part of some light hearted scenes in MANORAMA - SIX FEET UNDER, these performance didn't quite get noticed due to both films failing at the box office. However, MANORAMA - SIX FEET UNDER has done reasonably well on the DVD circuits. And now HELLO is a success. "That's life and as I have always maintained that since I don't come with any expectations, I have no regrets either", says Gul, "I am moving on and looking forward to some good releases in the pipeline in coming months." Gul's upcoming films are ANUBHAV, STRAIGHT and HELLO DARLING.
Bhatts bring their movie repertoire on affordable DVDs
Thanks to Moser Baer bringing a revolution in the home video circuits, most companies have reduced the prices of DVDs and VCDs drastically. T-Series, after bringing open their catalogue by coming up with approximate 100 titles at dirt cheap prices, has now bought rights of films by Mahesh Bhatt and Mukesh Bhatt. Some of the most notable films by the Bhatt brothers which are available for less than Rs. 50 are GHULAM, TAMANNA, CRIMINAL, KABZAA, NAJAYAZ, JAANAM and JURM. In the pipeline are some more notable films releasing at affordable prices on T-Series, an announcement of which would be made soon.
Vikram Bhatt pairs with regular Praveen Bhatt for 'Red'
Director Vikram Bhatt and cinematographer Praveen Bhatt are almost Siamese twins when it comes to their projects. After all the two have been working together for years now! A Mahesh Bhatt protegee who has earlier worked in his films like 'Janam', 'Naam', 'Kaash', 'Aashique', 'Saathi', 'Sadak', 'Phir Teri Kahani Yaad Aayi' and around half a dozen more flicks, Praveen Bhatt has formed a fruitful partnership with Vikram Bhatt as well over the years. And now Vikram Bhatt and Praveen Bhatt have united together again for 'Red' that stars Aftab Shivdasani, Celina Jaitley, Amrita Rao and Sushant Singh in principal roles. This ace cinematographer's touch is quite evident in each of the frames, especially due to the now-famous night-blue lighting that Bhatts have been famous for. Praveen Bhatt has earlier handled the cinematography for Vikram Bhatt films like 'Raaz', 'Aap Mujhe Achche Lagne Lage', 'Awara Paagal Deewana', 'Footpath', 'Inteha', 'Aitbaar', 'Elaan', 'Jurm' and 'Ankahee'.
Rajesh Roshan on top with Krrish
Rajesh Roshan has done it again. The reclusive music-director-par-excellence has composed some divine lilting melodies for his brother Rakesh Roshan's forthcoming superman-saga Krrish starring nephew Hrithik Roshan. What is more creditable to note is the fact that he has remixed two of the originals with smashing results. The remix of Koi Tumsa Nahin is peculiarly called Big Band Mix and Main Hoon Woh Aasmaan is strangely labeled as Mystic Love Mix. Leave aside the unusual names given to the remixed tracks, the music arrangements, choice of singers, lyrics by Nasir Faraz, uptempo-n-happenin fast beats makes both the numbers a treat for the ears. What is notable out here is that the melody remains intact and it is ten times refreshingly different from the remixes unleashed by the likes of DJ Suketu and DJ Akbar Sami. It is also a lesson for the music companies who insist on the DJs remixing the originals of composers like Himesh Reshamiya, Anu Malik and Pritam. At a few occasions the DJs end up taking the applause that should be merited to the music director. Maybe this trend might sour relations within the music industry. As for Rajesh Roshan, then the composer of such gems as Bhoot Bangla, Julie, Yaraana, Jurm, Kishan Kanhaiya, Karan Arjun, Koyla, Kaho Na Pyaar Hai and Koi Mil Gaya should be doing more work in Bollywood as his fans value his melodic sense tremendously.