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During the early days of Paruchuri Brothers' entry into the films, they showed their scripts to senior director K Raghavendra Rao. He advised them that it was not the kind of writings that the Telugu film industry needs. He told them to catch the mass pulse. After they settled in the film industry, they wrote a dialogue in one film '€” 'Kanureppa Dinchithe Vinayam, Kanureppa Yettite Viplavam ' Reppapatu Kaalamlo Dopidi Jarugutondi'. However, there was no response from the people for such a powerful dialogue. Later, when they wrote '€” 'Pedodu Aakaleste Amma Ani Adugutaadu. Adey Kadupu Mandithe Nee Yamma Anantaadu'. There was a massive response from the public for this dialogue and there was a big applause from the audience in the theatre. They were able to catch the mass pulse like this as over 80 per cent of the audiences are from masses. This was revealed by Paruchuri Gopalakrishna.
'How we got the mass pulse' you know Paruchuri Gopalakrishna
During the early days of Paruchuri Brothers' entry into the films, they showed their scripts to senior director K Raghavendra Rao. He advised them that it was not the kind of writings that the Telugu film industry needs. He told them to catch the mass pulse. After they settled in the film industry, they wrote a dialogue in one film '€” 'Kanureppa Dinchithe Vinayam, Kanureppa Yettite Viplavam ' Reppapatu Kaalamlo Dopidi Jarugutondi'. However, there was no response from the people for such a powerful dialogue. Later, when they wrote '€” 'Pedodu Aakaleste Amma Ani Adugutaadu. Adey Kadupu Mandithe Nee Yamma Anantaadu'. There was a massive response from the public for this dialogue and there was a big applause from the audience in the theatre. They were able to catch the mass pulse like this as over 80 per cent of the audiences are from masses. This was revealed by Paruchuri Gopalakrishna.