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R Ramalayam Veedhilo Balu-Madhumathi 2006
Telugu Cinema · Movie Hub

Ramalayam Veedhilo Balu-Madhumathi

4.0/5
“A crowd-pleasing entertainer”
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Starring
Ithi, Santosh Pawan
Music
Taidala Bapu
Director
Kishan
Producer
Srinivasa Rao Ks
Audio Label
Aditya Music
Year
2006

Audio Songs

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01
Neneppudoo Taidala Bapu
05:15
02 04:26
03
Manase Kumar Sanu
04:45
04
Naa Kanullo Karthik, Sujatha
04:43
05 05:34
06
Churukanti Mahalakshmi Iyer
04:59

Related News

More news →
01

'Manavoori Ramayanam' first look is out

Prakash Raj, the maker of 'Dhoni' and 'Ulavacharu Biryani', is done with his third. The Telugu-Kannada bi-lingual, titled as 'Manavoori Ramayanam' in Telugu, is currently in post-production stage. It will hit the marquee in September. It's jointly produced by Prakash Raj and First Copy Pictures. Starring Prakash Raj, Priyamani, Sathyadev ('Jyothi Lakshmi' fame), Prudhvi and Raghu Babu, the human drama tells the story of a well-respected Dubai-return whose life takes a turn when a particular incident takes place on Sri Rama Navami day. It drives home the point that there is a Rama and a Ravana in each one of us, the director adds. The film was shot in Shad Nagar near Hyderabad and Coorg district in Karnataka. Joy Matthew has written the story. Dialogues are by Ramana Gopishetty and Prakash Raj. Bhaskarabhatla Ravikumar has written the lyrics. Art direction is by Sashidhar Adapa. Srikar Prasad is the editor. Cinematography is by Mukesh. Music is by Maestro Ilaiyaraja.

02

Prakash Raj's 'Manavoori Ramayanam' from Oct 7

Prakash Raj, the maker of 'Dhoni' and 'Ulavacharu Biryani', is done with his third. The Telugu-Kannada bi-lingual, titled as 'Manavoori Ramayanam' in Telugu, is currently in post-production stage. The news is that it will hit the marquee on Oct 7. It's jointly produced by Prakash Raj and First Copy Pictures. Abhishek Picture will release the movie. Starring Prakash Raj, Priyamani, Sathyadev ('Jyothi Lakshmi' fame), Prudhvi and Raghu Babu, the human drama tells the story of a well-respected Dubai-return whose life takes a turn when a particular incident takes place on Sri Rama Navami day. "It drives home the point that there is a Rama and a Ravana in each one of us", the director adds. The film was shot in Shad Nagar near Hyderabad and Coorg district in Karnataka. Joy Matthew has written the story. Dialogues are by Ramana Gopishetty and Prakash Raj. Bhaskarabhatla Ravikumar has written the lyrics. Art direction is by Sashidhar Adapa. Srikar Prasad is the editor. Cinematography is by Mukesh. Music is by Maestro Ilaiyaraja.

03

Advantage for Mana Oori Ramayanam

Except 'Mana Oori Ramayanam', Anywhere between Rs 10 crore to Rs 75 crore is at stake on all the films aiming for Dussehra release. Abhishek Pictures acquired the distribution rights of this movie in Telugu circuit for just Rs 1.5 crore. That's really a huge advantage and festival season should come in handy.'Mana Oori Ramayanam' is based on an incident which took place on the day 'Sri Rama Navami' was celebrated. While Prakash Raj appears as Bhujangayya, Priyamani does the role of Susheela. Sathyadev portrays the character of Auto Driver Siva and Pruthvi will be seen as Director Garuda. These four characters are like pillars of the movie and their intense performances will be a treat to watch. A special show was arranged for media persons prior to the release as part of the marketing strategy. Critics have given a positive feedback. Especially, There is unanimous praise for Prakash Raj who excelled both as an actor and director. If reviews and word-of-mouth are good, Screen Count of 'Mana Oori Ramayanam' would grow multi-fold very soon.

04

Priyamani's Role in In Mana Oori Ramayanam

If performance is the main scale to judge a heroine caliber, Priyamani delivered Award winning performances many a times in past. This time, she has literally returned back to Tollywood with a prostitute Bangaram character in ‘Mana Oori Ramayanam’ winning the hearts of Telugu and Kannada audience. It is always kicking to see star heroines accepting sex worker characters as audiences connect more to spice than morals. Priyamani looked perfect as Bangaram. In fact her entry bought real relief and speed to a rather dull narration in movie. Instead of adopting skin show with low neck blouses and transparent saris, Priyamani shined as a decent prostitute serving big deal in saving MOR. Dialogues penned on her character were also well balanced without going overboard. Finally, Priyamani showed her mark with MOR.