| Alias | Bharathan |
|---|---|
| Age | 70 years |
| Height | 5'8" |
| Occupation | Director |
| Language Worked in | Tamil, Malayalam |
| Spouse | Kpac Lalitha |
| Eye Color | Black |
| Hair Color | Black |
| Religion | Hinduism |
| Education | He completing his diploma from the College of Fine Arts, Thrissur City, Bha |
| Marital Status | Married |
| Favourite Cuisine | South Indian |
| Favourite Color | Black |
| City | Chennai |
Bharathan (Malayalam: ഭരതന്, 14 November 1947 – 30 July 1998) was an Indian film director, artist, lyricist, music director, sculptor, poster designer, editor and art director. Bharathan is noted for being the founder of a new school of film making in Malayalam cinema, along with Padmarajan, in the 1980s, which created films that were widely received while also being critically acclaimed. A train of directors, and screen writers followed this school onto the 1990s including Sibi Malayil, Kamal, Lohithadas, Jayaraj, and Sathyan Anthikkad.
He is widely regarded as one of the most influential and prolific filmmakers of Malayalam cinema and has directed more than 50 movies in multiple languages. He was born at Engakkadu near Wadakkancherry, in present day Thrissur district of Kerala, India.
Bharathan's films were well known for their realistic portrayal of rural life in Kerala. Melodrama and escapism, often an integral part of mainstream cinema in India, were usually absent in his films. He also managed to steer clear of the "star-centric" culture, prevalent in Indian cinema, throughout his career. His later films did involve major movie stars but usually without compromising on plot or narrative. Bharathan, along with Padmarajan and K. G. George were largely responsible for introducing a counter culture of meaningful mainstream cinema which often tread the middle path between art-house and commercial cinema. This movement was often called the "middle of the road cinema". Bharathan's films were known for their visually appealing shot compositions. His background as a painter enabled him to create frames that were often credited for their visual beauty. Natural props and nature itself often became important characters in his films (like the railway track in Palangal, or the sea in Amaram). Bharathan is one of the few Indian directors known to use an elaborate story-board system for filming. He also often designed the posters for his films.
Several of his early films were known for their bold portrayal of sexual themes.His films often defied social conventions and norms about man-woman relationships. Rathinirvedam was the sexual-coming-of-age story of the relationship between a teenager and an older woman while Chaamaram dealt with the tumultuous affair between a student and his college lecturer. In Kattathe Kilikkoodu an elderly, married Professor falls for his student. Kaathodu Kaathoram was about the social ostracism of a woman who has an adulterous relationship.