Right Yaaa Wrong Movie Reviews

Don’t breathe. Don’t dare even blink. And please forget that visit to the loo. Damn, even the bag of popcorn will be forgotten on your clenched lap.

“Right Yaaa Wrong” is the surprise shocker of the year. If you’ve forgotten that jump-out-of-the-seat feeling then it’s time to nudge it awake again.

Debutant director Neerraj Pathak deserves a welcoming salute. He puts together a thriller that’s as much a homage to Alfred Hitchcock and Brian de Palma as our own Abbas-Mustan.

“And Right Yaaa Wrong” still emerges original and strong.

An intricate jigsaw that always stays a step ahead of the audience, “Right Yaaa Wrong” makes a penetrating comment on how the country’s legal system can be subverted by a clever hand. More importantly the taut and briskly-paced script suggests that the yin and yang concepts of right and wrong are not only ambivalent but also interchangeable when the context is right.

Sunny Deol, back in shape in every which way, plays a cop who in the first two reels loses the power to walk. But the narration simply sprints along through a series of unpredictable twists and turns that take the striking characters across a maze of intrigue and conspiracy.

Truly, the screenplay is far superior to its execution. And that’s entirely a comment on the above-average calibre of the writing.

Writers Girish Dhamija, Sanjay Puran Singh Chauhan and Neerraj Pathak pack in a walloping punch in both pre-and post-interval hours.